|
MP3 Audio |
Fuzz-O-La |
T.V. Theme |
Black Sabba Fuzz |
Click to listen to a sonic tour of the
Superfuzz played by Blues
Saraceno. To show the amazing versatility of this fuzz, first
you'll hear the pedal bypassed, followed by the same riff with 3
different tone control settings.
The rare Jordan Electronics Bosstone
(circa 1968) is considered by many to be the ultimate vintage
fuzz. The Voodoo Lab Superfuzz starts with this classic fuzz
design and adds unique tone and resonance circuits to create an
amazing new array of fuzz tones.
The tone control delivers a wide spectrum
of midrange and bass timbres, everything from an extreme gain
scooped tone through a raucous, bluesy, prominent mid voicing. The
resonance control is a sub-harmonic booster that lets you add an
aggressive bottom end not typically found on fuzz pedals. Attack
varies the gain from rich and creamy to outrageous.
“The Superfuzz flaunts tons of output
and reacts well to picking dynamics...while making a little combo
amp sound like it’s pumping a big cabinet. Yeah!” -Guitar
Player
“I was overjoyed to plug in my guitar
and hear the exact sound I used on the first four Spirit albums”
-Randy California
Guitar Player Magazine Superfuzz Review
Buzz, Boost, and Burn
November 1999
Austone, Carl Martin, and Voodoo Lab Distortion Pedals
By Darrin Fox
The popularity of other effects may come
and go, but distortion boxes will always be the top choice for
most guitarists. The eight pedals in this roundup range from mild
chunkers to fuzzed-out fireballs. To suss out their distorted
glories, each pedal was plugged into a Vox AC30, a Fender Deluxe
Reverb, a Matchless Chieftain combo, and a 50-watt, mid-'70s
Marshall head and 4x12 cabinet. Test guitars included a Fender
American Standard Strat, a Fender reissue Tele Custom, and a
Gibson Les Paul.
Voodoo Lab Superfuzz
If pure sonic havoc is your thing, the
Superfuzz ($149) is a must. This device sports an aluminum
enclosure, PC-board construction, true-bypass switching (with an
LED status indicator), and a DC power jack. The controls are
volume, resonance, tone, and attack.
The Superfuzz is all about trashy,
unrefined buzz. The pedal's resonance control is a subharmonic
booster that does a great job of keeping the Superfuzz's buzz
intact, while making a little combo amp sound like it's pumping a
big cabinet. Yeah! The tone control delivers a wide spectrum of
midrange and bass timbres, but even in its meatier modes, the
pedal never loses its great fuzz splat. The Superfuzz flaunts tons
of output and reacts very well to picking dynamics - you can
elicit many different distortion textures by simply adjusting your
guitar's volume control. This pedal is an exceptional choice for
hardcore fuzz heads.
|