Tech 21 SansAmp GT2

248 Rock Hill Drive, P.O. Box 760
Rock Hill, NY 12775
Phone/Fax 845-796-3616

Tech 21 SansAmp GT2

Tech 21 SansAmp GT2

"Architecturally" create your own rig in seconds by choosing amplifier type, modification, and speaker cabinet/mic placement configurations. Takes the best parts of the most wanted tube amplifier set-ups and breaks them down into individual, user-accessible "components." Easily mix and match sound characteristics.

Character Switches
MIC
•	Classic = distant miking without ambiance.
•	Center = close miking at the center of a speaker cone.
•	Off-Axis = close miking at the edge of a speaker cone.
MOD
•	Clean, which gives you a stock tube amp set-up.
•	Hi Gain, which gives you an extra gain stage, as if you were to install an additional 12AX7 tube in the pre-amp section.
AMP
•	Tweed = Fender®-style.
•	British = Marshall®-style.
•	California = Mesa Boogie®-style

$189
Includes UPS Ground Shipping
in Continental U.S.
Buy Now

Questions? Call or e-mail steve@stevesmusiccenter.com. Prices quoted are subject to change. Quantities may be limited on some items. If you plan to order more than one of this item, please contact us before ordering to verify availability. Click HERE for Return Policy.

CALIFORNIA

Hear the Sample
MP3 format - 245k

Guitar used:
Yamaha Pacifica 112 on bridge pickup (humbucking).

Bass:
Yamaha RBX 260, lightly compressed (3:1 ratio).

Effects:
Subtle 360-millisecond stereo delay on lead track.

EQ:
+5dB 80Hz low shelving on rhythm

BRITISH

Hear the Sample
MP3 format - 243k

Guitar used:
Yamaha Pacifica 120 on bridge pickup (humbucking) for rhythm and first half
of lead, and neck pickup (humbucking) for second half of lead.

Bass:
Yamaha RBX 260, lightly compressed (3:1 ratio).

EQ:
-3 dB 12kHz shelving on both lead and rhythm, +3dB 80Hz low shelving on rhythm.

Effects:
Subtle 250-millisecond stereo delay both rhythm and lead tracks.

TWEED

Hear the Sample
MP3 format - 243k

Guitar used:
Yamaha Pacifica 112, on middle/neck (out of phase) position (single coil).

Bass:
Yamaha RBX 260, lightly compressed (3:1 ratio).

EQ:
+3dB 12kHz shelving on rhythm.

Effects:
Slight chorus and compression on rhythm, and 100-millisecond stereo delay on lead..

Credits:

All tracks written, performed and/or programmed by
Frederic St-Gelais at "La Chambre" Studio, Montreal, Canada, on March 8th 1999,
using the following equipment:

Tech 21 SansAmp GT2 preamp
Mackie CR1604VLZ console
Alesis ADAT XT recorder
3630 compressor
Microverb and Midiverb III effects processors
D4 drum module
Ensoniq ASR-10 sampler (used as a MIDI controller)
BOSS DD-5 digital delay and CE-2 chorus FX pedals
Tascam DA-30 DAT recorder
Pentium 200mmx running sequencer, audio editor and mp3 encoder programs
Yamaha Pacifica 120 and 112 guitars*
Yamaha RBX 260 bass.