| The THD Flexi-50
is a precision hand-built 50-watt class AB amplifier with footswitchable
overdrive/boost, foot-switchable master volume control and the ability to use almost any
preamp and power tubes in any combination, including 6L6, EL34, 6V6, 6CA7, 8417, 6CA7,
6550, KT66, KT77, KT88, KT90, KT100, EL84 (with Yellow Jacket adaptor), 6K6, 6F6, 12AX7,
12AY7, 12AU7, 12AT7, 12AZ7, 12DW7, 12BH7, ECC83, ECC82, ECC81 and many more, giving the
user a huge pallet of available sounds simply by changing the tubes. The amplifier has a
fat, clear, full clean sound reminiscent of late 1950s to early 1960s American combos,
and overdrive to rival the best British heads. Even at the highest overdrive settings,
the amp still demonstrates dramatic touch sensitivity, cleaning up very well when the
volume on the guitar is reduced. Additional features include external bias test points
and individual bias controls, permitting the user to quickly and accurately set the
output tube bias with any digital voltmeter. The dual bias controls permit the user to
correctly bias even mismatched tubes, eliminating the need for matched power tubes. What
does all of this mean for you, the player? It could very well mean that the search for
your sound is finally over. While the THD UniValve and
the THD BiValve-30 amplifiers offer the
same flexibility and choice of tubes, they do so in a Class-A circuit. While Class-A
amplifiers do have a strong following due to their smooth, even character, there are
many players who need, or even crave the immediacy, clarity and “punch” of a grid-biased
class-AB amplifier. The 40-year-long love affair that the guitarists have had with the
now almost cliché 50-watt rock and roll amplifier head is proof.
In the Flexi-50, THD has brought together an ideal combination of simplicity and flexibility, hence the
name “Flexi-50”. Why strive for simplicity? Robust design and construction are among the
reasons. Ease of use is another prime reason. We hear every day from guitarists who
purchased 3 and 4 channel guitar amplifiers, only to discover that, aside from varying
gain levels, the channels all sound and, equally importantly, feel more or less the
same, dashing their dreams of flexibility to pieces. Another by-product of an overly
complex amplifier is that it can take a very long time to uncover a sound that really
works for you.
How is the
Flexi-50 different? First off, it is a single-channel amplifier, but one that can be
switched and blended among a number of different sounding and different feeling voices.
The changes can come from a number of methods including foot-switching a preset boost
level with its own, dedicated tone control that allows you to make your boosted sound
darker than the clean sound, brighter, or anywhere in between. The unique combination of
THD's touch-sensitive input circuit and the wonderfully active and reactive tone control
section (that we slaved a year to perfect) make for a front-end that really responds to
subtle and not-so-subtle changes in the signal being fed into the amplifier either by
the guitar or any effect that may be between the guitar and the amplifier. Back off on
the volume control and the amp gets much cleaner without losing the fatness of the
full-volume sound. Switch
from an over-wound bridge pickup to a clearer, lower-output neck pickup and suddenly the
amplifier responds very differently. THD's input is quite sensitive to the individual
impedance curve and inductance characteristics of your pickups, so you will not
experience the all-too-common situation where every guitar you own sounds the same
through your amplifier. PAFs sound like PAFs. Strats sound like Strats. Filtertrons
sound like Filtertrons. Lipstick pickups sound like, well, like nothing else on the
planet. Into exotic handmade guitars and pickups? Wouldn’t it be nice to have an
amplifier that lets you hear the difference between 9000 turns and 9200 turns of wire in
a pickup? The THD Flexi-50 does just that. You say that you like to use
pedals? There are many talented pedal makers coming out of the woodwork from all corners
of the world. The THD Flexi-50 has no trouble helping you hear the difference between a
NOS military-grade germanium transistor and a Japanese “equivalent”. You decide if they
are equivalent or not, and with the Flexi-50, you will have the tool to do so. Does it
like pedals? It LOVES them. More about the overdrive capability of the Flexi-50. With a
modified-design, custom-tuned postphase-inverter master volume circuit, the Flexi-50
can give you a luscious palette of overdrive sounds before you even get the output stage
working, and these sounds are all touch-sensitive as well.
Switching
tubes is easier than ever before. With the built-in bias
adjustments, you can easily and accurately set the bias in about 20 seconds, even with
two completely different tubes. Other features
include a line-level effects loop, a 50-watt/20-watt switch right on the front panel to
permit you to drop the plate voltage on the power tubes from 475 to about 325, giving
not only lower output, but also smoother, more even response and even longer tube life.
THD also has a series/parallel switched impedance selector that can take any cabinet
from 2 ohms to 16 ohms impedance, and always uses 100% of the transformer windings all
of the time, another THD innovation. This assures you a full, even output sound,
regardless of the impedance setting. The power and output transformers are fully
shielded to assure that hum and noise are kept to an absolute minimum, and that
pickup-feedback from transformer coupling is all but eliminated. The new THD Flexi-50
may have you selling your other amps simply because you just won’t need them any more. |